🏑 Fuji Xf 50 140Mm F 2.8 R Lm Ois Wr

Mô tả. Thông tin bổ sung. Đánh giá (0) FUJIFILM XF 50-140mm f/2.8 R LM OIS WR là một ống kính tele với phạm vi độ dài tiêu cự tương đương 76-213mm phổ biến và có khẩu độ tối đa f/2.8 không đổi. Được chế tạo cho máy ảnh kỹ thuật số không gương lật Fujìilm X, zoom nhanh này FUJIFILM Fuji Fujinon XF 50-140mm F/2.8 R LM OIS WR #79. Item Information. Condition: Used Used. Price: US $1,043.00. $47 for 24 months with PayPal Credit opens a installment calculator layer * $47 for 24 months. Minimum purchase required. 5oB006t. News, Tips & ReviewsAbout UsThe Professional's Source Since Log InAccount & OrdersMy Cart William Chua Singapore FUJIFILM X-T3｜50mm｜ R LM OIS WR Jacek Bonecki Poland X-T10｜140mm｜F8｜1/500｜ISO200 R LM OIS WR Luca Bracali Italy X-T1｜130mm｜F10｜1/180｜ISO640 R LM OIS WRJens Burger Germany X-E3｜106mm｜F5｜1/250｜ISO250 R LM OIS WR23 elementos moldam a luzProjetada para maior clareza e contraste, essa lente captura todos os detalhes de cada cena. O revestimento Nano GI Índice de Gradiente reduz os fantasmas e o reflexo da lente ao fotografar sob luz forte. O uso de seis elementos de lente ED, incluindo uma lente Super ED dispersão extra baixa minimiza a aberração cromática para obter um alto nível de poder de resolução de imagem. A configuração e o revestimento da lente foram desenvolvidos para proporcionar clareza, sem embaçamento, permitindo ao fotógrafo capturar o que seus olhos veem. Tão rápido quanto vocêEste não é um corredor de longa distância ou um velocista. A lente dispara da distância mínima de filmagem até o infinito e vice-versa repetidamente. Existem três requisitos. Ela deve ser rápida, silenciosa e manter o equilíbrio em toda a faixa de zoom e a qualquer distância de disparo, para não causar nenhum impacto em seu punho segurando a lente. A forma equilibrada elimina a trepidação da câmera para fotos em alta velocidade. Motor linear triploSilencioso, Rapido e AF PrecisoHora de assumir o controleA lente possui estabilização de imagem de cinco pontos no interior e pode oferecer até seis pontos1 quando montado em uma câmera com estabilização de imagem no corpo. Na extremidade mais longa do zoom, 140 mm, a velocidade mais baixa do obturador ao segurar a mão deve ser 1/125 seg. Para evitar trepidação da câmera. O OIS permite que você use uma velocidade do obturador de 1/4 seg! Concentre-se no seu assunto e tenha a liberdade criativa para escolher uma variedade maior de velocidades do obturador. Você também pode se beneficiar com pouca luz, pois não precisa aumentar a sensibilidade ISO ou confiar em um tripé. paradasfunção de estabilização de imagemMatenha-se em movimentoAs zooms de grande distância focal geralmente são muito pesadas, limitando o local em que você pode usar a lente e as fotos que você pode tirar; no entanto, essa lente pesa menos de 1 kg. Após um dia de filmagem com a lente, quando você volta para casa e percebe que não há pressão sobre seus ombros ou braços, é nesse momento que você aprecia seu verdadeiro valor. Pronto para os imprevistosQualquer lente profissional precisa superar todas as condições de fotografia, especialmente condições climáticas adversas. A construção resistente à poeira e à umidade da lente permite que você mergulhe na fotografia, mesmo em ambientes com chuva ou areia.2 Resistente a poeira e umidade Acessórios que ampliam seu alcanceCompatível com o teleconversor e lente oferece compatibilidade com o Teleconversor TC WR e o Teleconversor XF2X TC WR.Com TC WR70mm-196mmF4 equivalente ao 107mm-299mm no formato 35mmCom XF2X TC equivalente ao 152mm-427mm no formato 35mm Luca Bracali Italy X-T1｜196mm｜F4｜1/1000｜ISO1600 R LM OIS WR TC WR 1 When combined with the FUJIFILM X-T4 2 Needs to be combined with a weather resistant camera R LM OIS WRNotíciasVizualizar paginaCatalogoVizualizar PDF William Chua Singapore FUJIFILM X-T3｜50mm｜ R LM OIS WR Jacek Bonecki Poland X-T10｜140mm｜F8｜1/500｜ISO200 R LM OIS WR Luca Bracali Italy X-T1｜130mm｜F10｜1/180｜ISO640 R LM OIS WRJens Burger Germany X-E3｜106mm｜F5｜1/250｜ISO250 R LM OIS WRCutting-Edge Image QualityBlending the best in optical design with leading-edge lens coatings, the R LM OIS WR delivers true-to-life clarity, contrast, and detail in every scene. Fujifilm’s Nano GI coating reduces ghosting and flare when shooting into strong light, while six ED lens elements, including one Super ED extra-low dispersion element, minimize aberrations and increase resolving power. With its constant aperture at all focal lengths, the R LM OIS WR guarantees great subject separation, faster shutter speeds, and high-speed AF. The large maximum aperture allows rich and smooth bokeh, letting you achieve shallow focus effects with ease. Triple-Speed AFAs a lens that’s primed for sports and action subjects, fast, quiet, and reliable autofocus is a must. The R LM OIS WR delivers this by combining аn innеr fосuѕіng sуѕtеm with thе wоrld’ѕ fіrѕt trірlе lіnеаr mоtоr. Shift focus from the closest to infinity in the blink of an eye so that you never miss a moment. Triple Linear MotorSilent, Fast, and Accurate AFSharper Than EverWith built-in Optical Image Stabilization OIS, you can be assured of sharper pictures. The lens’s advanced gyro sensor provides five stops of stabilization, increasing to six stops1 when mounted to an X Series camera that has In-Body Image Stabilization, like the X-T4. This feature allows you to shoot handheld at slower shutter speeds, leave your tripod at home, and open up new avenues of low-light creativity. stopimage stabilization functionPortable PowerFast zooms like the R LM OIS WR are usually big and heavy. But like the X Series bodies it’s designed to complement, this lens is streamlined in size and weight. At just under 1kg, you can use it all day without getting tired, as well as leaving more room in your kit bag for extra gear. Ready for the ElementsProfessional lenses need to be ready to help capture amazing images in all conditions, especially adverse weather. The lens’s dust- and weather-resistant construction lets you immerse yourself in your photography, even in rain, snow, humid, freezing, or dusty environments.2 Dust- and Moisture- resistant-10℃Operable down to -10℃ Accessories That Extend Its ReachCompatible with the and TeleconverterCombine the R LM OIS WR with a FUJINON teleconverter for increased focal FUJINON TC WR70mm-196mmF4 equivalent to 107mm-299mm in the 35mm formatWith FUJINON XF2X TC equivalent to 152mm-427mm in the 35mm format Luca Bracali Italy X-T1｜196mm｜F4｜1/1000｜ISO1600 R LM OIS WR TC WR 1 When combined with the FUJIFILM X-T4. 2 Needs to be combined with a weather-resistant camera nameFUJINON R LM OIS WRNews releaseView pageBrochureView PDF Quick Facts about the Fujifilm XF 50-140mm f/ R LM OIS WR Lens Weight lb/995 GramsWeather Sealed YesFilter Size 72mm Angle of View to DegreesFocusing Distance Aperture Aperture F22Image Stabilization YesMount System Fuji XPrice $1,599Zoom Internal Who is the Fujifilm 50-140 for? This 50-140 Full-Frame Equivalent is 76mm-213mm focal length is a staple amongst event photographers. It’s low-light functionality variable telephoto length, and superb image sharpness rightfully place this lens amongst Fuji’s best “red-badge” lenses. Similar to Canon’s “L” or Sony’s “G-Master” lens line-up. However, this lens is not without compromise. The 50-140’s significant weight place it in a different class compared to the other APS-C peers. Plus, a full-frame camera also offers a shallower depth of field at Those using this lens for travel will be disappointed and happy. A weird conundrum, yes. The aperture will allow Shutter Speed and ISO changes in variable lighting such as cities. However, for the occasional wildlife shooter, 140mm feels too short. But at the same time, the 50-140 is one of the few regular telephoto zoom lenses by Fujifilm that is weather-sealed. What other Fujifilm lenses cover the 50-140 APS-C/76-213 FF equivalent? Is the XF 55-200 a worthy competitor? There are numerous other Fuji X lenses that cover the focal length of 50-140 some not mentioned here. However, the 50-140’s true competitors are lenses that span this length AND designed for similar styles of photography. So, here are a few lenses that have the same focal length as this one. Fujifilm XF 55-200mm XF 70-300mm Fujifilm XC 50-230mm Fujifilm XF 56mm XF 90mm F2 Additional telephoto zooms could come later. Recently, there has been an interest in some third-party Tamron especially zooms for the Fuji X Mount. Fujifilm 50-140 Sharpness As a zoom lens, we can expect variable sharpness throughout both the aperture AND focal length. However, here is what I discovered for this lens in my “official brick wall test.”1 Starting at around sharpness remains excellent throughout the entire zoom range. Kudos to Fujifilm for that. 2 The 50-140 appeared weaker at the short-end rather than the longer end. 3 The lens performs worst at expected. For the following example photos, I concentrated on the top-left portion of the photo with a crop factor of 80%. So, this is an extreme crop. Fujifilm 50-140 at around 50mm Fujifilm 50-140 at around 70mm Fujifilm 50-140 at around 90mm Fujifilm 50-140mm Fujifilm 50-140mm F8 Fujifilm 50-140mm 106 Fujifilm 50-140 around 120mm Fujifilm 50-140 120mm Fujifilm 50-140mm 120mm F8 Fujifilm 50-140 140mm Fujifilm 50-140 140mm I was happy with the sharpness of the Fujifilm 50-140 at all focal lengths and apertures. Granted, I never zoom past 100% in any of my photos. However, the complex optical design is superb. Portrait Bokeh Out of focus rendering All around, I was not very impressed with the bokeh for portraiture. Out-of-focus rendering. I don’t quite know how to describe it, but the background almost looks busy. Let’s look at example 1 where the subject makes up about 30% of the entire frame. Fuji 50-140 And now example 2 with a subject that is approximately 10% of the frame. Yes, I masked out their face. Fujifilm 50-140 140 Person’s face omitted for privacy In both pictures, I see duplicates. Which is kind of weird.For example, let’s look at example 1, again. The sign on the left-hand side looks unnatural…almost as if I photoshopped a portrait of myself in front of a shaky, long-exposure. In example 2, the dog gives the illusion of the same phenomenon. Another note about this lens’s bokeh. I was not impressed with the “ look. For example… look at the crosswalk sign. It’s easily readable. Perhaps I am too picky in regards to bokeh from a 50-140 after all a 70-200 actually has shallower depth of field on a full-frame camera. Fujifilm 50-140 Bokeh Balls Fujifilm 50-140 Bokeh Beginning at you can see some cat’s eye within the bokeh balls. It almost begins in the left 1/3 of the frame. Cat’s eye isn’t a deal-breaker for most people, and stopping down does resolve the cat’s is also no onion ring effect! Fujifilm 50-140 Bokeh F4 Fujifilm 50-140 Bokeh In my tests, I found the Bokeh balls to round-out around F4 is usable & F8 is perfect. And it is fascinating that you do not see the beginning of the aperture blades, yet. However, in order to stop down to that I will either significantly either decrease my shutter speed or increase my ISO. For the X-T4, I attempt to avoid increasing my ISO past 4000 for all photos unless I am deliberately trying to introduce noise into the photo. Fujifilm 50-140 Bokeh F8 To give you an example of the bokeh balls in real-time, please see the video below. It should provide a clear example of how the bokeh at dramatically changes from the corner to the center. Play Video about Fujifilm 50-140 Bokeh Test Video Fujifilm 50-140 Autofocus For this autofocus test, we will test via two different parts. 1 Switching between two different subject via tapping on the back LCD screen. 2 Eye Autofocus 1 Switching between two different subject via tapping on the back LCD screen. I was happy with this lens in regards to its ability to quickly switch between subject. And despite the colors of the mug, I found it to switch with relative struggled a bit with the blue mug. However, switching to the laptop case was almost immediate. For staged compositions like the one below, I didn’t have any problems. It locked on with relative ease, and I was able to take the photo. Fuji 50-140 Eye Auto-Focus Enabled with X-T4 Still Subject However, in Continuous Tracking, the Fujifilm XF 50-140 had some problems…The video below was shot at Any EyeTracking Sensitivity +2Autofocus Speed +3It’s hard to reasonably use this camera’s auto-focus. However, I could slow down the speed to create a more cinematic effect. AND I could reduce the sensitivity as well. When it comes to Fujifilm and autofocus, it’s all about using the correct settings for the scene. For example, I could have used a focus-limiter too!It might be alright for some talking head shots. Macro Results and Focusing DistanceWith a maximum magnification of .12x, the macro results from this lens are less than spectacular. Plus, with a focusing distance of 1 meter feet, you will have to step back a bit before your subject comes into focus. In this hand-held! video, you can see how long it takes for the flower to become clear. Color Accuracy I was really happy with the colors rendered from this lens. The colors are accurate. The photo below DOES have some minimal processing. I brought out the shadows in the top-right, and I had to remove the pink reflection with a mask on the grey . 50mm F8 OIS Test Play Video about Fujifilm 50-140 Bokeh Test Video Handheld at around 90mm As somebody who uses the 16mm and 10-24mm, I am use to wobbling on most of the Fuji-X lenses. However, not with this one! The footage I obtained from this lens is some of the most usable footage I have ever gotten from a Fuji X Camera!For the video below, I had both the IBIS and OIS turned on. Side Note Anything older than the X-T3 except the X-H1 within this Fujifilm ecosystem does not have IBIS. Play Video about Fujifilm 50-140 OIS Test wX-T4 Sunstars/StarburstsI stopped down to F18 for the two photos below, and I was happy with the results. 50mm 10 seconds F18 All throughout the frame, I was able to achieve about a 14-point starburst image. Now, at F18, the image and lens will suffer heavily from diffraction. The lens only has a minimum aperture of F22. However, you can still create some awesome images. The roads in DC are horrible. Notice the up-and-down light-streak on the right. 50mm 10 seconds F18 Lens Flaring I am less than pleased with the flaring from this lens. But I had VERY high expectations. Although the photo is an extreme example as I shot directly into the light source, there are not a lot of easy ways to correct this in post-production. One way to attempt to salvage this is create a mask and pull down the highlights. Fujifilm 50-140 Alright, before we get into the final rating and notes, I wanted to provide a quick list of the pros and cons of this lens. Pros of the Fujifilm 50-140 The Fujifilm 50-140 is will be pleased with the results starting at IBIS/OIS provide great stabilization. The OIS and IBIS combination allows for some handheld video. Cons of the Fujifilm 50-140 Center of Gravity and WeightWeighing only pounds, the lens feels heavy as most Fuji X cameras do not have a significant grip. If you are using a tripod, you will be able to attach the lens to the tripod via the tripod collar. And the tripod collar does rotate!BokehThis might be a “me” thing, but I wasn’t impressed. PriceSince being released, the price has not changed from the $1,600 asking point. Except for certain rebates. Newer lenses within the same price-point have better the bright side, the filter size 72mm saves you about $10 compared to an 82mm. My Final Notes I might be expecting too much from this lens. However, for a premium price, I expect outstanding performance. If I was purchasing this lens today, I would instead focus on a telephoto zoom 70-300 and a prime within the same category for low-light work. The key differentiator between that prime lens and this 50-140 is the OIS, but with the money saved, I could still purchase a well-built gimbal. At the end of the day, each camera lens is limited in its output by the photographer. And I am probably not the best person to test this lens. But I was disappointed in the price/performance ratio. My Rating Price 3/5 Photography isn’t a cheap hobby, and I think the price is excessive. I could purchase the 70-300 AND a prime lens for the cost of this. Reliability 4/5 Paired with the X-T4 or X-T3, it is reliable and the autofocus is good enough for most occasions for photography. But for video, no. Plus, I don’t foresee any issues when it comes to build quality. This will deserve a re-test with the X-H2s. Spoiler alert It holds up, making this the best XF telephoto lens for videography. Functionality 4/5 When it comes to the 70-200 FF equivalent, this focal length is desirable and has utility. However, the points are deducted as the center of gravity prevents this lens from being held comfortably on most Fujifilm cameras. Style 4/5 Metal and well-built, the Fuji 50-140 is nice. HOWEVER, the metal body leaves fingerprints. -1 Point for always looking dirty. Total15/20 or 75% Fujifilm 90mm F2 WR Review The Fujifilm 90mm F2 was the premier portrait lens with fast autofocus speeds, excellent sharpness, and good build quality. But it faces one problem. Read More »

fuji xf 50 140mm f 2.8 r lm ois wr